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Craft & Criticism
"FOR WRITERS ONLY"
NOTES ON CRAFT & THE WRITING LIFE
Resources and suggestions for students and fellow writers
BOOK REVIEWS
Aimee's latest published book reviews
Novels
FLASH HOUSE
a suspenseful novel of rescue and redemption set in Central Asia at the start of the Cold War, featuring two unforgettable heroines whose fates are irrevocably intertwined.
CLOUD MOUNTAIN
The unforgettable tale of star-crossed love that spans four decades and two continents.
FACE
A young photographer wrestles with her repressed past and identity as an Amerasian in New York's Chinatown. Now back in print after more than a decade, FACE is Aimee's first novel.
Recent Essays
WHY I'M STILL MARRIED
"A Great Wall"
Love springs from an improbable meeting on the Great Wall of China.
MY CALIFORNIA
"Transients in Paradise"
Beverly Hills from the inside out.
All sales from this anthology benefit the California Arts Council.
Short Story
MEETING ACROSS THE RIVER
"The Other Side"
Aimee's short story "The Other Side" appears in this anthology of stories inspired by Bruce Springsteen's song "Meeting Across the River."
Work on Eating Disorders
GAINING: The Truth About Life After Eating Disorders
How do anorexia and bulimia impact life AFTER recovery? GAINING is one of the first books about eating disorders to connect the latest scientific insights to the personal truth of life before, during, and especially after anorexia and bulimia.
SOLITAIRE
A Memoir of Anorexia
America's first memoir of anorexia, and one of the earliest books about eating disorders, originally published in 1979
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Why is it that with everything women have accomplished, we still struggle with our feelings about our bodies? Perhaps it’s because, in our society, body image has become a loaded term. Whether we’re young girls or elderly women, we are bombarded by the media’s idea of perfection: lithe young models with perfect skin and smooth bodies too often achieved through eating disorders and fad diets. And no matter what product the manufacturer is trying to sell, the substance of that message remains the same: women are imperfect and, unless we succumb to the hype, that imperfection will thwart our chances for happiness.
In For Keeps: Women Tell the Truth About Their Bodies, Growing Older, and Acceptance twenty-seven gifted authors write personal essays about how body image has colored, changed or enriched their lives...or how life’s events have changed their body image.
Many of the authors in this anthology have experienced that one transformative moment when they thought Aha! and life was never the same. Whether the focus is health, childbirth, youthful energy or growing older, the writing is profound, sometimes hilarious, and always engaging. What better than humor and the naked truth to celebrate and flaunt our bodies…and our attitudes toward them! As you read each woman’s essay, you will see that whoever we are, the way we feel about our bodies profoundly affects the way we live our lives.
For Keeps is an inspirational collection. It explores with awe and intelligence the surprises and challenges of our bodies — whether caused by illness, aging, injury, or life circumstances — that make us rethink the way we see ourselves, and even live our lives. These empowering essays reveal the journeys women take as they age and change in ways both good and bad. Kate Maloy reflects on the way her ex-husband's suicide affects her son and herself. Liza Nelson writes about how her mastectomy allowed her to finally divorce the breasts she'd always loathed. Each unique story in this collection brings the reader closer to understanding her relationship with her own body — both physical and emotional.
Our bodies, our health, our relationships with other people—are bound to change over time, Victoria Zackheim reminds readers. And while aging will inevitably become difficult to control, in the end, we can’t ignore the message that always “hovers just beyond the coast of consciousness: Our bodies are for keeps. No matter what life brings us, we must forge ahead and celebrate.”
 Reviewed by Martha Stewart's BODY + SOUL Magazine January/February 2008, Issue #23 LEARNING TO LOVE THE BODY
Women writers on celebrating the imperfections
[DEAD BONE is Aimee's essay within the anthology]
Some anthologies suffer from too much of the same thing. But in For Keeps: Women Tell the Truth About Their Bodies, Growing Older, and Acceptance (Seal Press), editor Victoria Zackheim has brought together writers from a range of ages and cultural experiences on the subject of living in a female body. Novelist Elizabeth Rosner becomes an artist’s model in an attempt to make peace with her body, to try and see it simply as “contours and dimensions, a graceful and anonymous arc in space.” Writer Carrie Kabak decides that cutting off ties with her criticizing mother—who is familiar with “every eyelash, every mold and freckle”—is the only way to make her body her own. Other essays deals with injury, illness, and other major failings of the physical being. Some women become athletes, pushing their bodies beyond what they thought capable, while some watch their bodies crumble and degenerate from a lifetime of pushing. This surprising collection is full of moving takes on aging gracefully in a female body.
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Every evening at eight o’clock, a middle-aged woman who reminds me of myself hobbles past my house. She wears black leggings and reflective sweats, her hair drawn into a ponytail that jerks sideways as she hurls herself forward. This mystery woman leaves her car down the block while putting mileage, instead, on her body. When I first moved to this low-traffic neighborhood six years ago, she jogged up the brightly lit center of the road with brisk, purposeful strides. Then she began to favor one ankle and gravitated toward the curb. Elbows sharp, hips swiveling, she switched to race-walking. Over time, her form progressively deteriorated, but she never missed a single night. Now, she contorts her knees and torso, her gait crablike and her pace just ahead of a crawl. The only thing about this woman that doesn’t match my past self is her preternaturally blond hair.
Though I’m often in front of my house when my alter ego passes, she does not look up—at me or at anyone. Her face and posture make it clear that she is as intent on her bodily pain as the most devout self-flagellant. Yet if I were to demand why she chooses to subject herself to such punishment, I doubt religion would be her excuse. Instead, from behind the same mask of defensive superiority that I used to wear, she would tell me she does it for her health.
Fitness, beauty, energy, health: how well I know those self-righteous excuses! For the sake of my “looks” I dropped thirty pounds at the start of adolescence and held my weight below one hundred (the picture that comes to mind now is that of a child holding a terrified cat underwater) until my last year of college. In the name of “nutrition” I refused to eat meat from age fourteen to thirty-five, when my consequent lethargy finally bordered on black-out. To “shape up” as a teenager I would go for four-hour bike rides, during which I refused to downshift even when climbing forty-degree hills. Pain, to my thinking, meant gain. The more my body hurt, the more my willpower gloated. A war was underway, my physical constitution its battleground. Health was no more my real goal than cheap tea was the object of the American Revolution. The celebrants at the Boston Tea Party, however, enjoyed one advantage over masochists like the eight o’clock jogger and me: they understood that they were fighting a war of independence.
We exercise zealots instead believed that ours was a higher cause. The logic that guided us was the same that, over the centuries, has justified foot binding, corsets, plastic surgery, and hair shirts—a logic that equates perfection with unnatural suffering. Far from fighting an oppressive king, we voluntarily reduced and mortified ourselves in the name of the current king of culture: fitness. Maybe, we thought, if we ran just a few more miles a day, or worked off another hundred calories on the Stairmaster, or spent another half hour at the gym, we’d finally stop worrying about not looking or acting or being good enough. Then, at last, we’d feel free—without having to rebel against anyone except our physical selves.
ESSAY CONTINUED in FOR KEEPS
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